Information about our bands and their releases.

Thanks to Primitive Noise, Hrizg will perform again in Santander on April 30th! This time the band will unleash their impious Black Metal with the grinders of Ras.

Here is more info:

HRIZG (Black Metal-Santander)
https://www.facebook.com/HrizgOfficial/?fref=ts
RAS (Grindcore-Tolosa,Guipuzcoa)
https://www.facebook.com/RAS-1540431266203050/?fref=ts
Sabado 30 de Abril -21:00 Horas-4 Euros
Rock Beer The New(Peñas Redondas 15,Santander)

The facebook event here.

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We are pleased to announce our new signing. This time is the great Spanish act Profundis Tenebrarum. Created by Nocturn back in 1997, they will release their fourth opus through Morbid Shrine Productions in CD format. The title of this new album shall be «Disciples of Venomous Death», and this is the track list:

I. Stench of Dead Dimensions
II. Into the Abyss
III. Exsanguination Smell
IV. Serpent Cult Abomination
V. The Scourge of the Scythe
VI. Beyond This Tormenting Life
VII. Dark Ceremonial Oath
VIII. Disciples of Venomous Death

PROFUNDIS TENEBRARUM DISCIPLES OF VENOMOUS DEATH

The release date will be around august. More news, songs and live dates will be uploaded soon.

En los últimos años, Cantabria ha ido mirando, como en otras comunidades del norte peninsular, hacia su antiguo pasado prerrománico, medieval y mitológico, con muchas referencias culturales de todo tipo. La música ha sido una de ellas, influenciando dicho pasado a diversos estilos; ya sean tradicionales, como el propio folk escuchado en los pueblos y su mezcla con música propiamente celta o medieval; o bien penetrando en otros más contemporáneos como rock e incluso el metal.

En este caso tenemos entre manos el proyecto personal de Erun, llamado Briargh que se sumerge profundamente en las raíces de Cantabria, tanto en su historia antigua como en el impacto personal que transmite su naturaleza y clima. Todo a través de la música y concretamente a través del metal extremo en varias vertientes.

Tras salir de un grupo volcado en el Pagan Metal cántabro como CrystalMoors, y con más historias musicales entre sus zarpas, Erun decidió centrarse en otro proyecto que ya había puesto en marcha relacionado con la mitología cántabra de una forma mucho más personal y oscura, junto con otros conceptos musicales que ya iba desarrollando en sus otros grupos, dando lugar a la modelación de Briargh y a la salida de su último disco llamado Eboros.

El resultado es un trabajo de pagan metal de raíces celtas, combinado con muchas partes de black metal, llevándonos por un viaje melancólico y nostálgico por Cantabria, sobre todo a partir de medios tiempos de guitarras melódicas, voces desgarradas evocando desesperación y tristeza en tres idiomas diferentes: (castellano, inglés y protocelta), con una sonoridad cruda y pútrida cual tronco del roble carcomido por la humedad y el tiempo (qué profundo me ha quedado esto). La unión de estos aspectos nos lleva a una sensación de desolación y penumbra interior muy bien trabajada, retocada con la utilización de teclados y samplers empleados adecuadamente en diversos pasajes instrumentales y formando parte de varios temas; La aportación femenina a las voces de Enserune, profundiza en ese mal rollo melancólico que nos deja el disco. Quizá la parte menos compactada pueda ser las rítmicas de batería, por ser un tanto repetitiva en ciertos patrones, aunque la producción primitiva de la misma creo que es acertada.

En general se nota cierta madurez en todo el conjunto compositivo, como consecuencia de un desarrollo sólido del proyecto: un aspecto muy importante en este estilo, del cual creo que muchos grupos no consiguen transmitir y adolecen de falta de personalidad.

Comentario por Sewin

Font: http://www.nochederock.com/discodelasemana/detalle.php?id=1026

Another great review, this time from UK, here: https://thoseonceloyal.wordpress.com/2016/03/02/review-briargh-eboros/

Briargh are a band that I can only describe as brilliant; formed in Spain back in 2003, the one-man band have become an amazing mixture of black, death and folk metal, and does it in a way which can only be described as brilliant. Focusing on themes of paganism, mythology and history, the band are back with a new full length album entitled Eboros. A beautiful album with a mixture of beautiful melodies and riffs, hard-hitting and rough drums, as well as dark, screeching, Hellish vocals which adds power and energy into such a powerful album.

The first track on the album, “El Lianto Del Bosque”, starts off with Burzum-sounding guitar melodies which mix beautifully with fast, heavy drums. When the deep, dark vocals start; the melodies and riffs quicken which add to the heaviness of the track. A track complete with different tempos add volume and depth to the track, and it is a brilliant start to the album.

Another track on the album which really stands out for me is the third track entitled “Sword of Woe” which for me is a perfect example of black metal infused folk metal. A song mixed with heavy vocals and female vocals and the mixture of the melodies and riffs on this track have already captivated me in a beautiful, enriched manor. Everything on this track is as heavy as anything including the vocals, melodies, riffs and drums. What really captivates me on this track is the “Whoa-wo-wo” clean vocals part of the track which makes folk metal really stand out on this track in a seamlessly beautiful way. This track for me works amazingly well and it is a track of complete perfection on the highest point.

“El Canto De Las Anjanas P.T II” is the sixth track on the album complete with hard-hitting drums beautiful melodies and riffs and raw heavy vocals kick off the track. Throughout the song can be heard slower riffs and melodies with heavier vocals adding power to this track. There is also a mixture of fast-paced instruments and tempo changes which add incredible beauty to this amazing piece of art. Keyboards and synths also come into work in this track which again just adds to the folk metal theme. This really is just a work of 100% perfection, and the use of the keyboards and synths add more beauty to an already beautiful track.

The last track on the album “Eboros – Epitome of Deat” for me was the best 5 minutes and 58 seconds of my life, a track that starts off with heavy keyboard and synths which almost sound like Summoning. Throughout tempo changes a beautiful keyboard melody can be heard behind what sounds like a male choir which gives off a mystical element on the track, when female vocals start the mystical element of the track, gives of pure beauty. As the female vocals end and synth melodies pave the way for heavy drums, bass and guitar riffs which makes the track seem darker and adds to the power behind the track. As the dark powerful screeching vocals enter the mystical element of the track may be washed away but the rawness and the power of the album remain right until the end.

A beautiful album which keeps on giving right to the end, an album that can only be described as flawless, perfect and beautiful a magnificent piece of art which is written in such a way where everything fits in this album (including instruments and vocals) flawlessly in an absolutely incredible album.

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Original font: http://www.moshville.co.uk/album-review/2016/02/review-briargh-eboros/

 

 

Briargh – Eboros

Briargh is a one man band made up of, Dux Briargh – All instruments and vocals. Music style is listed as, Melancholic Black Metal. Band location, Spain.

Eboros album released on October 27th, 2015, Morbid Shrine Productions. The music comes through with pure aggression and savagery. Nothing is over-processed. A very natural sounding recording is captured. Interesting aspects of the arrangements is how well the two guitar tracks compliment each other and trade of rhythms.

The song «Eboros – Epitome of Death», has a captive and creative keyboard piece along with female vocals complimented with a clean strumming guitar. A thing to note, these songs are all in spanish. It is the first time I have heard black metal with spanish lyrics, it fits well and adds a different dynamic to the album.

The drums have a natural sound and it is actually good to hear how intense the string parts are pronounced with the relentless battery of blast beats.
Final thoughts, if you want pure, abrasive and from deep in the underground metal music, then this is for you.
~Artemortifica

facebook-morbidshrineproductions

Original font: http://artemortificareviews.blogspot.com.es/2016/02/briargh-eboros.html
Some label owners are way too nice people.  They have their own music project but tend to promote other bands more.  I have no idea why they do that but it seems a habit of some people. Perhaps, they are a bit uncertain about their own abilities, certainly when they hear the masterpieces some other bands on their label produce.  Because of that, some serious gems are left being underrated and unknown, which really is a shame.

Briargh is the blackened pagan folk metal act by Morbid Shrine’s owner Dux Briargh.  Influenced by acts like Burzum and Drudkh he started working on this project years ago.  To me, it sounds like a very old school black metal album with several folk influences thrown in, which obviously is a good idea. It’s been awhile since I heard something like this and I have to say, I’m glad this album reached me.

What I like most about this album, is the combination of bleak black metal and the warm sound of the instruments.  It’s an odd contradiction but one that works very well.  This isn’t a mere blast-beats driven piece of black metal but a melodic and mysterious sounding version of the genre, highlighting in songs like ‘El Llanto del Bosque’ and ‘Dubos Etenos’. Often I’m reminded of acts like Bergthron, Windir or Falkenbach.

I really think it would be a shame if this album wouldn’t get much attention.  It is a very strong example of a strange and underrated subgenre.  So yes, I would like to recommend it to all the black metalheads out there, certainly the ones who love a bit of paganism and melody in their music.  Nice work…

​Serge

Original font: http://www.merchantsofair.com/reviews/briargh-eboros

 Briargh: Eboros (Review)

Artist: Briargh
Album:  Eboros
Medium:  CD
Stil:  Melancholic Black Metal
Label:  Morbid Shrine Productions
Erschienen:  October 27th, 2015
Website:    Briargh

Bereits der Opener «El Llanto del Bosque » prügelt gleich nach dem choralen Vorspiel los.
Schon die ersten Takte sind für eine Gänsehaut gut: Ein Einstieg, der an Intensität und Spannung reich ist und schwer fesselt – man wird förmlich eingesogen in die dunkle Landschaft von «Eboros».
«Silom Sego» ist eingängig, einnehmend und mit Hooks versehen, die nicht so schnell wieder aus den
Gehörgängen verschwinden. Hier wird das Tempo angezogen, die Bassdrum wummert vor sich hin.
Das folgende «Sword of Woe » brilliert mit seinem markanten Rhythmus, «El Canto de las Anjanas (Pt II) »  ist der vielleicht stärkste Song auf dem Album, sicherlich aber, ob seiner Klasse, besonders erwähnenswert ist auch «Dubos Etenos» und «Sun of the Dead». Jede instrumentelle Einzelleistung ist
dabei beachtlich – wieder einer dieser Punkte, die jeden weiteren Hördurchlauf interessanter macht und der «Eboros» eine besondere Note gibt. Über «El Nubero de Samhain » geht´s zum Albumabschluss: «Eboros – Epitome of Death «.

Thomas Müller

Line-up
Dux Briargh – All instruments and vocals

Track list:
1. El Llanto del Bosque
2. Silom Sego
3. Sword of Woe
4. Dubos Etenos
5. Sun of the Dead
6. El Canto de las Anjanas (Pt II)
7. El Nubero de Samhain
8. Eboros – Epitome of Death

Original font: http://www.franconiametallum.de/cd-reviews/genreportal-cd-reviews/briargh-eboros/

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This is the cover art of the re-release of “Skapt av Helvetesild”, the demo of the true Norwegian act DJEVELKULT. The cover was done by Erun Dagoth, and the CD will include a cover song of Bathory and some extra live tracks. The stuff is being remastered at Khazad-Dûm Studios. More news and clips very soon. Stay fucking tuned!

“Skapt av Helvetesild” is planed to be out in one month worl wide!

Ayer noche tuve el placer de intercambiar unas palabras con Oskar, de Noche de Rock, personaje mítico de la escena cántabra que lleva ya más de 20 años al frente de este programa, a través del cuál hemos pasado distintos músicos hablando de Forestdome, Moonshine, Opposer, Fatal Portrait, Briargh, Hrizg, Karonte y un largo etcétera.

Hoy tocaba hablar de Morbid Shrine Productions, así que en una fría noche lluviosa me acerqué por ahí a saludar y, de paso, hablar un poco de la historia del sello y alguna de sus bandas.

http://www.ivoox.com/1020-enslaved-morbid-shrine-productions-audios-mp3_rf_10235858_1.html

Here is a new awesome video uploaded by Gloom of their drummer Ayuso performing Erich Zann. This is what they have posted in their official Facebook:

«New video of our drummer Ayuso playing Erich Zann, one of our songs from new album Doggod. Remember he is available for drum lessons and session drumming.
Hope you enjoy!!!»

Opposer has entered in studio to record their second album, which name will be «Darkest Path»! This time, they are working a much more deep and heavy sound, darker than before, more into the Death Metal sound. Drums are in the way so we will have more news about it very soon. Music will be done in their own personal studio, but the mix and mastering will be done on Khazad-Dûm Studio.

Meanwhile, enjoy the next video:

The Morbid Shrine will re-release the sold out demo «Skapt av Helvetesild» by Djevelkult very soon. The Underground hidden masterpiece of this Norwegian cult band shall come remastered and with some bonus tracks. A new cover art is in the way too, so expect a «new old» opus of true Occult Black Metal released in CD format.

Stay fucking tuned!