Information about our bands and their releases.
There is all the info the flyer. New official Briargh t-shirts to be manufactured very soon in a very limited edition. We open preorders writting to labarosrecords@gmail.com
Write now! This piece is 15€ + postal costs. Will be available in all sizes.
Nature sounds and atmospheric synths start off the compilation and after the intro the music goes into a very fast and raw black metal direction that also utilizes a great amount of blast beats along with some grim screams a few seconds later and the songs bring in a great mixture of slow, mid paced and fast parts.
Most of the music is rooted in the 90’s second wave style and you can also hear synths in the background at times and when guitar solos and leads are utilized they are done in a very dark and distorted fashion and one of the tracks brings in a brief use of spoken word parts and some of the tracks are very long and epic in length while a later track brings in melodic Gregorian chants that also gives the music more of a ritualistic feeling as well as a brief use of acoustic guitars while the main focus remains more on a raw style of black metal.
Ghazghkull played a style of black metal that was very raw and misanthropic taking the 90’s style into the early 21st century and also had an atmospheric style at times which was very common for the Iberian bands of the mid 90’s, the production sounds very dark and raw while the lyrics cover misanthropy, darkness and blasphemous themes.
In my opinion Ghazghkull where a very great sounding raw and misanthropic solo black metal project and if you are a fan of this musical genre, you should check out this compilation. RECOMMENDED TRACKS INCLUDE «Avatar Of Darkness» «Witness Of Nocturnal Silence» and «The End Of The Human Race». 8 out of 10.
(English below)
1. Haz una introducción a Ghazghkull. Desgraciadamente, habrá mucha gente que ha llegado al Black Metal sin haber sabido de la existencia de tal proyecto.
Pues empiezas la entrevista con la pregunta más difícil, me resulta muy complicado definir la música que hago…
Definiría GHAZGHKULL casi como una necesidad personal, una vía de escape. GHAZGHKULL es el resultado de juntar la energía y la mala hostia de los 18 años con la decepción constante del ser humano actual.
A quien no conozca GHAZGHKULL le diría que si busca un buen sonido o un Black Metal técnico, se está equivocando, ya que los recursos de los que disponía por aquel entonces eran más que limitados, y la música virtuosa o excesivamente pensada me aburre muchísimo y no me dice absolutamente nada.
GHAZGHKULL es visceral, directo, sucio e instintivo.
2. Hay que recordar que Ghazghkull desapareció años antes del auge de las redes sociales. Por lo visto, si no tienes presencia en ellas, no sólo no existes, sino que no has existido jamás. ¿Qué opinas tú de toda esta farsa?
Pienso que como todo, si se le da un uso correcto pueden ser de gran utilidad. El problema es cuando la gente basa su vida en estos mundos paralelos y se olvidan de lo más importante: Ser quien de verdad son, sin importar los “likes” que tenga la foto de lo que has desayunado hoy.
En la época de GHAZGHKULL también nos comunicábamos todos a través de una especie de red social, salas de chat o como se llame eso ahora. Y la verdad, por lo menos para mí, fue enriquecedor y surgieron alianzas de lo más interesantes que sin aquella herramienta nunca hubieran sido posibles.
3. Llevando más de diez años inactivo, no ha sido hasta ahora que has decidido editar un recopilatorio con todo el material que grabaste a principios del nuevo milenio. ¿Por qué ahora? ¿Crees que es hora de que retorne el Black Metal en su estado puro?
El “Black Metal en estado puro” nunca debería haber desaparecido. De hecho hay muchísimos grupos que se han mantenido fieles a aquella esencia.
La verdad es que la idea de editar este recopilatorio de todo el material de GHAZGHKULL no fue algo premeditado, sino un cúmulo de casualidades.
Un día me escribió Lavín y me dijo “están hablando de tu grupo en SPANISH BLACK METAL” entré en la página y leí con cierta sorpresa los comentarios de la gente, en ese momento me escribió Sixto con la propuesta de editar este material en su sello MORBID SHRINE PROD. Y como creo que todo pasa por algo, me parecieron demasiadas coincidencias como para decir que no.
4. Después de alguna promo o demo, y de aquel split de «Iberian Black Metal War» (Oniric 2004), junto a Mortinatum y Forestdome, ¿Por qué decidiste poner punto final a Ghazghkull? Parecía un comienzo prometedor.
De hecho nunca decidí poner punto y final, simplemente GHAZGHKULL quedó aletargado dentro de mí, quizá aguardando el momento de volver a resurgir.
En el 2004 pasaron algunas cosas en mi vida que hicieron que todo se tambaleara, eso me llevo a tomar la decisión de darle otro enfoque a las ideas que me iban surgiendo. En ese momento me volqué totalmente en ÀRNICA, que ya llevaba un par de años rondándome por la cabeza y tenía ya alguna cosa grabada.
5. Actualmente tocas en Àrnica, un grupo de Neofolk ibérico. Las diferencias son muchísimas con aquella otra encarnación del más misantrópico y oscuro Black Metal que era Ghazghkull. Supongo que te sientes más identificado con Àrnica a nivel cultural, artístico y místico pero, ¿qué hay aún de Ghazghkull en tí? ¿Aún eres un misántropo dado a las artes ocultas o dejaste de lado todo aquello para iniciarte en otras prácticas?
Bajo mi punto de vista, a un nivel estrictamente musical si hay diferencias, pero el sentimiento y el mensaje no varía tanto.
Me siento igual de identificado en ambos proyectos, si que es cierto que ÀRNICA lleva ya mucho rodaje y quizá es más acorde conmigo ahora, pero me sigo viendo reflejado en las canciones GHAZGHKULL, de hecho estos días escuchando canciones antiguas para SIGNS OF HATE, casi ni me acordaba de haber grabado eso yo, pero me sorprendió que los temas iban evolucionando tal y como los haría evolucionar si los volviese a grabar hoy mismo. Eso para mi mismo les da mucha veracidad.
6. ¿Hay planes de resucitar Ghazghkull o sientes que dijiste todo lo que tenías que decir con ese proyecto? Con el paso del tiempo, ¿cómo valoras tu trabajo en este proyecto?
Pues si te soy sincero, ahora que he estado re-escuchando todos los temas, me han surgido bastantes ideas nuevas y ganas de grabar algunos riffs queya tenía en mente. Pero no séque haré, realmente no dispongo de tanto tiempo, ahora estoy acabando de grabar lo que será el primer disco de WIHINEI RITA y con ÀRNICA ya tenemos proyectos nuevos en los que trabajar.
7. Háblanos de Wihinei Rita. Para el que no lo sepa, es una suerte de mezcla entre Ghazghkull y Àrnica.
Supongo que es una manera de definirlo, para mí es un trabajo muy personal, mi autoretrato. Es la combinación de todo lo que más me gusta y me mueve en esta vida, a parte de mi familia claro.
8. ¿Crees que Wihinei Rita es por donde irá ahora tu trayectoria dentro del Black Metal o volverán los oscuros y tenebrosos tiempos de Ghazghkull en algún momento? ¿Hay hueco para esa negrura en Wihinei Rita? ¿Qué significa el nombre?
WIHINEI RITA significa “Religión/Creencia Primaria” y la temática trata de la parte más ancestral y primaria del alma del ser humano, de la mística de los orígenes del hombre. En toda creación hay luz y oscuridad, por lo tanto sí que tendría lugar esa negrura, quizá un poco más “controlada” que en GHAZGHKULL, pero no menos oscura.
Pero como he dicho antes, GHAZGHKULL permanece aletargado en una parte de mí, y no descarto en absoluto volver a grabar algún día bajo ese feroz estandarte.
9. ¿Andas puesto en materia de Black Metal actual? Dime qué bandas aún escuchas, o si alguna ha llegado a tus manos que te haya parecido interesante. La escena ha cambiado mucho en las últimas décadas…
La verdad es que no ando muy puesto en el “mundillo” Black metalero actual, y seguramente sea consecuencia de ese cambio que comentas. Para mí el Black Metal no es sólo música, o hacerse fotos lo más pintado y “malote” que puedas. Para mi es algo más, es una forma de vida y de ver el mundo, es una actitud, y al final (bajo mi punto de vista) es eso lo que da esa oscuridad, ese punto extra que nada tiene que ver con la calidad de sonido, las fotos o la cantidad de cruces invertidas que salgan en un disco.
Por ejemplo uno de los discos “actuales” que más escucho es el GROZA de MGLA, o alguno de los últimos trabajos de BURZUM. Aunque cuando me apetece escuchar Black Metal me pongo discos “clásicos” (digo discos y no grupos por que la mayoría de grupos clásicos creo que hoy por hoy son una mierda)
10. Esto es todo, Lord Arhawn. Gracias por tu tiempo y despide la entrevista como mejor creas.
Pues me gustaría acabar esta entrevista dando las gracias a Sixto de MORBID SHRINE PROD. Ya no por ofrecerse a re-editar el material de GHAZGHKULL (que también)si no por el hecho de obligarme a revisar material, tanto audios como imágenes, antiguos. Me ha servido para entenderme un poco mejor y recordar tiempos pasados.
Preguntas: Erun
Respuestas: Lord Arhawn
Traducción: Heolstor
____________________
1. Please introduce Ghazghkull. Unfortunately, there will be many people who have arrived to black metal without knowing the existence of such a project.
You actually start the interview with the most difficult question, I find it very difficult to define the music I make…
I would define Ghazghkull as a personal necessity, a way to escape. Ghazghkull is the result of bringing together the energy and anger typically found in 18 years-old, with the constant disappointment of the present-day human being.
To those who do not know of Ghazghkull, I would say that if you’re looking for a good and technical sounding black metal you are mistaken, since the resources at my disposal at that time were more limited, and technical music bores me too much since it does not make me feel anything.
Ghazghkull is visceral, direct, dirty and instinctive.
2. We must remember that Ghazghkull disappeared years before the rise of social networks. Apparently nowadays if you have no presence there, not only does one not exist but one has never existed. What do think you of all this farce?
I think that like everything else, if its given proper use it can be very useful. The problem is when people base their lives in these parallel worlds and forget the most important: be who you really are, no matter how many «likes» you picture of what you had for breakfast today gets.
At the time of Ghazghkull we also did communicate through a kind of social network, chat rooms or whatever they are called now. And the truth is, at least for me, it was enriching and alliances emerged that without that tool would never have been possible.
3. Being over ten years inactive, it has not been until now that you’ve decided to release a compilation with all the material you recorded at the beginning of the new millennium. Why now? Do you think it’s time for black metal in its purest form to return?
«Black metal in its purest form» should never have gone. In fact there are many groups that have remained true to that essence.
The truth is, the idea of publishing this collection of all Ghazghkull’s material was not premeditated, but an accumulation of coincidences. One day Lavin wrote me and said «they are talking about your group at SPANISH BLACK METAL». I visited the page and read with some surprise people’s comments, and at that time Sixto proposed me to edit the material on his label MORBID SHRINE PROD. And since I believe everything happens for a reason, I found it to be too many coincidences to say no.
4. After some promo or demo, and that «Iberian Black Metal War» split (Oniric 2004), with Mortinatum and Forestdome, Why did you decide to put an end to Ghazghkull? It seemed a promising start.
I never actually decided to put an end to it, simply put Ghazghkull was lethargic inside me, perhaps waiting for the moment to re-emerge.
In 2004 some things happened in my life that shook everything, which led me to decide to take another approach to the ideas that came to me. At that time I threw myself totally into Arnica, which was already bouncing around my head, and had some stuff recorded already.
5. Currently you play in Arnica, a band that plays Iberian neofolk. The differences with that other incarnation of dark and misanthropic black metal that was Ghazghkull are many. I guess you feel more identified with Arnica on a cultural, artistic and mystical level but, what is still left of Ghazghkull in you? Are you still a misanthrope that dabbles with the occult, or did you leave all that to get started in other practices?
From my point of view, at a strictly musical level there are differences, but the feeling and the message does not change much.
I feel equally identified with both projects; it is true that Arnica has now been going on for longer and I am perhaps more in tune with it now, but I still see myself reflected in Ghazghkull’s songs. In fact these days I was listening to old SIGNS OF HATE songs that I had almost forgotten about, and I was surprised to see that they were evolving in the same way they would if I recorded them today. That gives them a lot autenticity in my eyes.
Lord Arhawn today.
6. Are there any plans to resurrect Ghazghkull or do you feel you said all you had to say with this project? Over time, how do you assess your work on this project?
Well, if I’m honest, now that I’ve been re-listening to every song I have come up with many new ideas and wanted to record some riffs that I had in mind. But I don’t know what I’ll do, I don’t really have that kind of time, now I’m finishing the recording of what will be WIHINEI RITA’s first album, and with Arnica we already have new projects to work on.
7. Tell us about Wihinei Rita. For those who do not know, it’s kind of a mix between Ghazghkull and Arnica.
I guess it’s a way to define it, for me it is a very personal work, my self-portrait. It is the combination of everything that I like and moves me in this life, apart from my family of course.
8. Do you think Wihinei Rita is where your black metal career will head towards, or will the dark and gloomy Ghazghkull era return at some point? Is there room for that blackness in Wihinei Rita? What does the name mean?
RITA WIHINEI means «Religion / Primary Belief » and it deals with the most ancient and primary part of the human soul, the mystical origins of man. In all creation there is light and darkness, so there is room for that blackness in it, but perhaps in a bit more «controlled» way than in Ghazghkull, but no less dark.
But as I said before, Ghazghkull remains as a dormant part of me, so I do not rule out a new recording under its fierce banner.
9. Do you follow today’s black metal? Tell me which bands you still listen to, or if any band that you found interesting has reached your hands. The scene has changed a lot in recent decades…
The truth is that I’m not really into the current black metal «scene» nowadays, and is probably due to that change you talk about. For me black metal it is not just music, or taking pictures with as much corpse-paint as possible and looking as tough as you can. For me it is something else, it is a way of living and seeing the world, it is an attitude, and ultimately (in my view) it’s what gives this darkness, that extra point that has nothing to do with the quality of sound, pictures or the amount of inverted crosses appearing on a album.
For example, one of the «current» albums I listen to is MGLA’s “GROZA”, or one of BURZUM’s last works. Although when I feel like listening to black metal, I grab the «classic» albums (and I say albums and not bands, since I believe that most classical bands that still play today are crap).
10. This is it, Lord Arhawn. Thanks for your time and end the interview as you wish.
Well, I would like to end this interview by thanking Sixto from MORBID SHRINE PROD. And not for offering to re-edit Ghazghkull’s material (that, too), but for the fact of forcing me to review that old material, both audio and images. It has helped me to understand a little better and remember the past.
Questions: Erun
Answers: Lord Arhawn
Translation: Heolstor
1.Can you give us an update on what is going on with the musical project these days?
I sometimes don’t think people realise how hard it is to enjoy albums when you have to go through so many of them in a short space of time. You hear so many that sound so similar and it is hard to be positive about these albums. Not because they’re bad, they are most certainly not. But death metal for example is pretty hard to decipher when the band’s essentially play the same style without no change at all.
I was starting to think this of the new album WELCOME TO… from THE HELL. A vicious death metal band that hails from the far reaches of Serbia. Their album does something that not a lot of bands do these days, the second half of WELCOME TO… is far superior. Most bands bunch their best songs at the start of the album and hope people don’t notice the crap at the end. However when I hit the track THE HUMAN HARVEST FIELDS, the band took a completely unexpected turn from decent but ordinary metal and churned out some excellent five tracks that totally made the album for me.
The thing people have to remember is that even if the songs aren’t bad, they can be a little generic and I would say that about the first half of the album. WELCOME TO… was most definitely saved by the later songs which feature some seriously catchy, very fun death metal numbers. They range from some MORBID ANGEL to VADER in their brutal but infectious approach. GENOCIDAL WRATH and PHILOSOPHY OF VENGEANCE are easily the best songs on the album. I also really enjoyed the closing number, AMEN! which reminded me a lot of the modern input from EXODUS.
I know the start of this review sounds awfully negative but this is an album I enjoyed and I would recommend it. THE HELL clearly have the chops to play this kind of music. There is some really nice guitar playing, impressive bass licks and a particularly brutal drummer. So even though the first half of the album is unremarkable to a point, it does become a lot more likeable after multiple listens and it is worth it just for the second half of the record.
Hoy estaremos en la sala «Rock Beer the New» (Santander), en el concierto que nuestros Opposer darán junto a los chicos de Barbarian Prophecies y Stado Krítico. El concierto sólo vale 5€, de modo que cualquiera que esté a unos pocos kms a la redonda, y sea fanático del Metal Underground, no tiene perdón si se lo pierde.
Además del concierto, Morbid Shrine Productions pondremos un stand para distribuir parte de nuestro catálogo. No podemos llevar todo, pero sí habrá gran material de primera, como CrystalMoors, Briargh, Deprive, Djevelkult, Ghazghkull, Chains ov Beleth, The Hell y un montón de albums de primera de Death y Black Metal.
¡Os esperamos!
A very dark and melodic sound starts off the album along with some drum beats and powerful bass lines kicking in a few seconds later which also leads up to some very tortured sounding grim black metal vocals and after awhile blast beats can be heard in certain sections of the recording and the vocals also use screams at times.
A great portion of the tracks are very long and epic in length and when solos and leads are utilized they are very dark and melodic sounding and when the music speeds up it displays more of a raw style of black metal and the songs also bring in a great mixture of slow, mid paced and fast parts while clean playing can also be heard in certain sections of the recording and on some of the tracks the vocals start utilizing a small amount of melodic singing and demonic spoken word parts which also gives the music more of a ritualistic feeling and some of the slower riffs also bring in elements of doom metal.
Chains Ov Beleth plays a style of black metal that mixes both modern and old school styles together along with some ritualistic elements and goth style clean singing to create a style of his own, the production sounds very professional while the lyrics cover Black Magick and Ritualism themes.
In my opinion Chains Ov Beleth are a very great sounding occult black metal solo project and if you are a fan of this musical genre, you should check out this album. RECOMMENDED TRACKS INCLUDE «Breath Of Disease» «Thrice Name, Thrice Cursed» and «Transcending». 8 out of 10.
We are proud to announce that the tape «Signs of Hate» is finally out! The tape consists in a compilation of all the stuff recorded by Lord Arhawn on early 2000’s before he decided to put an end to Ghazghkull. About this theme, and much others, we will upload an exclusive interview in a couple of weeks, so stay tuned!
This tape contains almost 40 minutes of cold and misanthropic Black Metal. Limited copies! Get yours on physical pro tape for 4,50€ or get your digital copy for only 3€.
More info about the release here.
The Greek band Ectoplasma will unleash their debut demo through Morbid Shrine Productions on tape. It was previoiusly released through Metal Throne Productions, and sold out very soon. Re-unleashed through Underground Resistance Records, and sold out again. Now, you’ll have the third release of this great materpiece of Old School Fucking Death Metal! Stay tuned!
More info here.
1. Briargh is your solo project since its birth, back in 2003. Have you ever considered sharing it with other musicians for studio or live shows?
Not really. Briargh is my dream, and I don’t like it when someone disturbs it. I think it is purer in this way, even when I am sure the material could sound better with other musicians. But this is not my goal. Anyway, I could do an exception for one album or so. But Briargh is what it is. Me alone.
About live performances, well… I think it is very hard to achieve it. Briargh has a lot of arrangements and melodies that cannot be done on live. You should use extra samples or a lot of musicians. Not of my taste, to be honest.
2. When did you start to explore so different languages? Talk about it, please.
I started since the very first demo «Labaros». I used Spanish and English. I added Protocelt around 2004, when I started to write the lyrics of the «Kanttrug» album. I think it sounds very primitive and unique. The way that Briargh should sound.
3. What does «Eboros» mean?
«Eboros» means «Yew» in Protocelt. It is a very common tree in Cantabria (where I live). Used by our ancestors to end their lives when they felt useless to the community. It was used as alternative to enslavement too. Better dead than a slave.
4. How was it recorded? I saw that it was done during the years 2013 and 2015. Why?
I did the drums in an old rehearsal place in early 2013, but the rest of the recording was frozen during some months. I returned to it, with the guitar parts, when I changed rehearsal place. I did all the strings (bass and guitars) between the last of 2013 and early 2014. For the vocals, I used another old rehearsal place. The old one from my past band CrystalMoors. I also recorded some extra screams and vocals in the Ucieda forest at night. A great and mystic place here in Cantabria. About the rest of arrangements and keyboards, I did them in early/mid 2015, really. I had some job changes, and I got a new flat. Things that have delayed it a bit.
5. And you have worked with Enserune on guest female vocals… Introduce her to our readers.
Yes, she is a very talented singer and we worked some harsh and melodic lines for the album. She is the lead singer of Neverendinghate, and plays bass guitar in Hrizg.
6. Lower Silesian Stronghold released it on CD a couple of months ago. How’s it going with the promotion and the response?
It is going good, I think. LSS is doing a good job, as always. I support it from my side, of course, and I count with Morbid Shrine Productions here so, the album is working fine for my taste. The distribution is wide and I think a lot of people can get a copy without problems. Anyway, the album is still very new and there is a lot of work to do.
Ucieda forest (Cantabria)
7. I have been reading something about a fourth album?
Yes, you are well informed. I am working in my fourth full length. There are four years from «Kanttrug» to «Krigas», and six from «Krigas» to «Eboros». It won’t happen again.
8. Any advance about the future of the project?
Just that I am working on this fourth album, and it will have a similar sound to «Krigas», but mixed with the melodies of «Eboros». I am preparing a good one, and I am very satisfied with the advance. Appart from this, I don’t know what to say. The future changes every day.
9. Thanks for your time Erun. Say your last words for this interview, please.
Many thanks for this interview. Any individual interested in Briargh can contact me through labarosrecords@gmail.com
Salvd!
Questions: Da’monek (Ukraine)
Answers: Erun Dagoth
_________________________
1. Briargh es tu proyecto en solitario desde su nacimiento, en 2003. ¿Has considerado alguna vez la posibilidad de compartirlo con otros músicos bien para el estudio, o bien para directos?
La verdad es que no. Briargh es mi sueño, y no me gusta que nadie lo moleste. Creo que es más puro de esta manera, aún cuando estoy seguro de que el material sonaría mejor con otros músicos. Pero no es mi meta. De todas maneras, supongo que podría hacer una excepción para algún disco o algo así. Sin embargo, Briargh es lo que es. Yo sólo.
Sobre directos, bueno… Creo que es bastante difícil conseguir eso. Briargh tiene muchos arreglos y melodías que no pueden hacerse en un concierto. Para ello, deberías contar con samples o muchos músicos. No me apetece mucho, para ser sincero.
Erun in 2006
2. ¿Cuándo comenzaste a explorar los diferentes idiomas? Habla un poco sobre ello, por favor.
Comencé en la primera demo «Labaros». Utilicé el español y el inglés. Posteriormente, añadí el protocelta, sobre el 2004, cuando comencé a trabajar en las letras del álbum «Kanttrug». Creo que suena muy primitivo y único. Justo como debería de sonar Briargh.
3. ¿Qué significa «Eboros»?
«Eboros» significa «Tejo» en protocelta. Es un árbol muy común en Cantabria (donde vivo). Usado por nuestros ancestros para terminar con sus vidas cuando se sentían inútiles para la comunidad. También fue utilizado como alternativa a la esclavitud. Mejor muerto que esclavo.
4. ¿Cómo fue grabado? He visto que tuvo lugar durante los años 2013 y 2015. ¿Por qué?
Hice las baterías en el antiguo local de ensayo a principios de 2013, pero el resto de la grabación se «congeló» durante unos cuantos meses. Volví a ello, con las partes de guitarra, cuando cambié de local de ensayo. Hice las cuerdas (bajo y guitarras) entre finales de 2013 y principios de 2014. Para las voces, utilicé otro viejo local de ensayo. El antiguo local de una banda donde toqué: CrystalMoors. También grabé algunos gritos extra, y otras líneas de voz, en el nocturno bosque de Ucieda. Un gran lugar místico aquí en Cantabria. Sobre el resto de arreglos y teclados, los hice a principios/mediados de 2015, realmente. Tuve algunos cambios de trabajo y de vivienda, cosas que han retrasado el tema un poco.
5. Y has trabajado con Enserune para las voces femeninas… Preséntala a los lectores.
Sí, ella es una cantante con mucho talento y hemos trabajado algunas líneas melódicas y otras rasgadas para este disco. Ella es la cantante de Neverendinghate y toca el bajo en Hrizg.
Erun 2003
6. Lower Silesian Stronghold lo ha editado en CD hace un par de meses. ¿Cómo está yendo la promoción y cómo está siendo su respuesta?
Está yendo bien, creo. LSS está haciendo un buen trabajo, como siempre. Yo lo apoyo desde mi lado, desde luego, y cuento con Morbid Shrine Productions así que el disco está yendo bien para mi gusto. La distribución es amplia y creo que mucha gente puede obtener una copia sin problemas. De todas formas, el disco es aún muy nuevo y queda mucho trabajo por hacer.
7. ¿He leído algo sobre un cuarto álbum?
Sí, estás bien informado. Estoy trabajando en mi cuarto disco. Pasaron cuatro años desde «Kanttrug» a «Krigas», y seis desde «Krigas» a «Eboros». No volverá a pasar.
8. ¿Algún avance sobre el futuro del proyecto?
Tan sólo que estoy trabajando en este cuarto disco, que tendrá un sonido similar al «Krigas», pero mezclado con las melodías de «Eboros». Estoy preparando lo que creo será un buen disco y estoy muy satisfecho con el avance. Aparte de esto, no sé qué más decir. El futuro cambia cada día.
9. Muchas gracias por tu tiempo Erun. Dinos tus últimas palabras para esta entrevista, por favor.
Muchas gracias por esta entrevista. Todo aquel interesado en Briargh puede contactar conmigo a través de labarosrecords@gmail.com
Salvd
Preguntas: Da’monek (Ukraine)
Respuestas: Erun Dagoth